Hyperion’s modern volume rendering system saw a number of major improvements and advancements for Frozen 2, mostly centered around rendering optically thin volumes. On Frozen 2, I got to play a part on several fun and interesting initiatives!

Under team lead Dan Teece’s leadership, for Frozen 2 we pushed Disney’s Hyperion Renderer the hardest and furthest yet to date, and I think the result really shows in the final film.įrozen 2 is stunningly beautiful to look at it seeing it for the first time in its completed form was a humbling experience, since there were many moments where I realized I honestly had no idea how our artists had managed to push the renderer as far as they did.ĭuring the production of Frozen 2, we also welcomed three superstar rendering engineers to the rendering team: Mark Lee, Joe Schutte, and Wei-Feng Wayne Huang their contributions to our team and to Frozen 2 simply cannot be overstated!

Working with everyone on Frozen 2 was an enormous privilege and thrill I’m incredibly proud of the work we have done on this film! Six years later, here we are, with Frozen 2’s release imminent, and here I am at Disney Animation.įrozen 2 is my fourth credit at Disney Animation, but somehow seeing my name in the credits at the wrap party for this film was even more surreal than seeing my name in the credits on my first film. I remember seeing the first Frozen in theaters the day it came out, and at some point halfway through the movie, it dawned on me that what was unfolding on the screen was really something special.īy the end of the first Frozen, I was convinced that I had to somehow get myself a job at Disney Animation some day. Instead, here is a brief personal anecdote. The 2019 film from Walt Disney Animation Studios is, of course, Frozen 2, which really does not need any additional introduction.

Corona renderer thin paper texture